In this extraordinary six-part series, film historian and critic Noel Burch uses clips of rare archival silent film treasures to take us on a riveting journey of discovery. How did silent film reach such incredible heights in a mere 30 years? Why did film in the United States so quickly become such a popular art form? 　　In the first program, Along the Great Divide: Great Britain 1900-1912, Burch examines early British classics like Rescued by Rover and other, rare films by Cecil Hepworth, Stuart Kinder, James Williamson, R.W. Paul and others to look at how the British "gentlemen inventors of the cinema" created entertainment for the poor. 　　The second part, Tomorrow the World: USA 1902-1914, looks at early film in America against the background of the immigrant masses streaming into the factories, slums and sweat-ships of early 20th century America. Films by Porter, Griffith, Reginald Baker, George Dobson, Stuart Blackton and others show how early American film invented social content and then dropped it for the development of narrative. 　　In the third program, She! Denmark 1902-1914, Burch looks at the incredible explosion of filmmaking in Denmark where mature cinema was born at a time when French and American films were simple melodramas. The earliest Danish film stars - Asta Nielsen and Urban Gad - played in remarkable films which were innovative in the technical aspects of lighting, camera angles and editing. 　　The fourth program, The Enemy Below: France 1904-1912 covers the early love affair between the cinema and the French working class through early Pathe and Gaumont productions, and rare films of Leonce Petter, Louis Feuilliade, (including his celebrated serials Les Vampires, Judex and Vendemaire) and Jacques Feyder's Crainquebille. 　　Post-Revolutionary Russia was a period of extraordinary social and cultural experiment, and in the fifth program of this landmark series about the early years of the cinema, Noel Burch focuses on the sexual politics of the Soviet cinema. The program, Born Yesterday: USSR 1926-1930 includes obscure films like The House on Trubnaya Square by Boris Barnet, Ermler's Katka's Apples and Remnants of an Empire, Vertov's Kino-Eye and Kozintsev and Trauberg's The Devil Wheel in a unique look at a great era of cinema in a climate of virulent change. 　　In Under Two Flags: Germany 1926-1932, Burch discusses the German silent cinema, including landmark German films like Billy Wilder, Robert Siodmak and Edgar Ulmer's People on Sunday, Brecht and Dudow's Kuhle Wampe and Jutzi's Berlin Alexanderplatz. These films were part of the "populist" cinema of the Weimer Republic, the German Worker's Film. Ironically, these films were ultimately replaced by the more palatable and cheerful films of Siodmak and Wilder, and the victory of Nazism.

In this extraordinary six-part series, film historian and critic Noel Burch uses clips of rare archival silent film treasures to take us on a riveting journey of discovery. How did silent film reach such incredible heights in a mere 30 years? Why did film in the United States so quickly become such a popular art form? 　　In the first program, Along the Great Divide: Great Britain 1900-1912, Burch examines early British classics like Rescued by Rover and other, rare films by Cecil Hepworth, Stuart Kinder, James Williamson, R.W. Paul and others to look at how the British "gentlemen inventors of the cinema" created entertainment for the poor. 　　The second part, Tomorrow the World: USA 1902-1914, looks at early film in America against the background of the immigrant masses streaming into the factories, slums and sweat-ships of early 20th century America. Films by Porter, Griffith, Reginald Baker, George Dobson, Stuart Blackton and others show how early American film invented social content and then dropped it for the development of narrative. 　　In the third program, She! Denmark 1902-1914, Burch looks at the incredible explosion of filmmaking in Denmark where mature cinema was born at a time when French and American films were simple melodramas. The earliest Danish film stars - Asta Nielsen and Urban Gad - played in remarkable films which were innovative in the technical aspects of lighting, camera angles and editing. 　　The fourth program, The Enemy Below: France 1904-1912 covers the early love affair between the cinema and the French working class through early Pathe and Gaumont productions, and rare films of Leonce Petter, Louis Feuilliade, (including his celebrated serials Les Vampires, Judex and Vendemaire) and Jacques Feyder's Crainquebille. 　　Post-Revolutionary Russia was a period of extraordinary social and cultural experiment, and in the fifth program of this landmark series about the early years of the cinema, Noel Burch focuses on the sexual politics of the Soviet cinema. The program, Born Yesterday: USSR 1926-1930 includes obscure films like The House on Trubnaya Square by Boris Barnet, Ermler's Katka's Apples and Remnants of an Empire, Vertov's Kino-Eye and Kozintsev and Trauberg's The Devil Wheel in a unique look at a great era of cinema in a climate of virulent change. 　　In Under Two Flags: Germany 1926-1932, Burch discusses the German silent cinema, including landmark German films like Billy Wilder, Robert Siodmak and Edgar Ulmer's People on Sunday, Brecht and Dudow's Kuhle Wampe and Jutzi's Berlin Alexanderplatz. These films were part of the "populist" cinema of the Weimer Republic, the German Worker's Film. Ironically, these films were ultimately replaced by the more palatable and cheerful films of Siodmak and Wilder, and the victory of Nazism.

In a sleepy mountain town, Cindy witnesses the murder of her parents by a blood-thirsty green figure in a red Santa suit. Twenty years later, the Christmas-hating monster begins to terrorize the town once more. Cindy finds new purpose in stopping the creature and saving the holiday.

When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival.

Strolling the street looking for help, Nick meets a girl with the same problem. They know nothing about each other and seem to know everything about everyone else. But sometimes the less you know, the better.

Strolling the street looking for help, Nick meets a girl with the same problem. They know nothing about each other and seem to know everything about everyone else. But sometimes the less you know, the better.

A high-achieving high school graduate, battles for justice at South Korea’s most reputable accounting firm.

When two youngsters meet and fall for each other, they must go on the run from the girl's corrupt father, who is also the sheriff of the town.

全新非一般Talk騷《Mean Talk》，主持林盛斌、江美儀每集邀來星級嘉賓，以最Mean方式，要對方大膽講真話。內容涉及入行以來最委屈經歷、最匪夷所思娛圈秘聞、聽過最「直線挑機」的說話、影視生涯最污點節目！ 　　稱得上「Mean Talk」，嘉賓就要放下底線被Mean與Mean人。訪談之前，嘉賓更要簽署「Mean爆生死狀」，承諾剖白真心話，抽中問題，誠實作答，實行以「揞名爆」形式，唔開名，講真相！

全新非一般Talk騷《Mean Talk》，主持林盛斌、江美儀每集邀來星級嘉賓，以最Mean方式，要對方大膽講真話。內容涉及入行以來最委屈經歷、最匪夷所思娛圈秘聞、聽過最「直線挑機」的說話、影視生涯最污點節目！ 　　稱得上「Mean Talk」，嘉賓就要放下底線被Mean與Mean人。訪談之前，嘉賓更要簽署「Mean爆生死狀」，承諾剖白真心話，抽中問題，誠實作答，實行以「揞名爆」形式，唔開名，講真相！